{"id":14173,"date":"2019-11-15T16:30:17","date_gmt":"2019-11-15T16:30:17","guid":{"rendered":"https:\/\/reprieve.org.uk\/?post_type=press&p=14173"},"modified":"2020-04-28T14:27:02","modified_gmt":"2020-04-28T14:27:02","slug":"the-wrenching-vital-truth-behind-the-report","status":"publish","type":"post","link":"https:\/\/reprieve.org\/uk\/2019\/11\/15\/the-wrenching-vital-truth-behind-the-report\/","title":{"rendered":"Hollywood reckons with CIA torture"},"content":{"rendered":"\n

This op-ed by Clive Stafford Smith was originally published in the New York Daily News<\/a>, on November 15, 2019.<\/em><\/p>\n\n\n\n

Great drama sometimes takes place on an unexpected stage. So it is with The Report<\/i>. How dry it must have felt to focus on Daniel J. Jones, the Senate staffer played by Adam Driver. Working for California Senator Dianne Feinstein (Annette Bening), Jones spent five years in a windowless room at the CIA, poring through documents related to Agency\u2019s torture program. His report on the use of what the CIA called \u2018Enhanced Interrogation Techniques\u2019 (EITs) remains the most thorough account of this shameful abandonment of American values.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Facing unwelcome exposure, the CIA naturally played dirty. Crucial documents disappeared, including the Agency\u2019s own damning assessment that torturing detainees was not producing \u201cactionable intelligence\u201d. The investigation\u2019s office was bugged, to find evidence to prosecute Jones and delegitimise his work. Feinstein defended him, only for President Barack Obama to suppress the full 6,700-page report and release a heavily-redacted 499-page \u2018Executive Summary<\/a>\u2019 of the findings. He wanted to \u201cmove onwards\u201d.<\/p>\n\n\n\n

The Report achieves the rare feat of depicting an important event accurately and watchably. I say this from experience, having spent much of my time since the horrific events of 9\/11 reviewing classified records of tortured prisoners in the so-called \u2018Secure Facility\u2019 for Guant\u00e1namo Bay material. Such films are important as they bring history to a wide audience, and if we do not learn from our mistakes, we are doomed to repeat them. That President Donald Trump can say waterboarding is not \u201ctough enough<\/a>\u201d and earn a round of applause should worry us all.<\/p>\n\n\n\n

The film depicts Abu Zubaydah\u2019s waterboarding in unflinching close-up. The Spanish Inquisition called this technique tortura del agua (\u201cwater torture\u201d). It was first termed Versch\u00e4rfte Vernehmung<\/a>, or \u201cEnhanced Interrogation\u201d, by the Gestapo in 1937. When the war concluded, the Allies deemed it a war crime, punishable by hanging.<\/p>\n\n\n\n

The CIA initially touted Zubaydah as a big catch, number three in Al Qaida after Osama Bin Laden and Ayman al Zawahiri, and tortured him into admitting it. They were never going to admit their mistake: at Guant\u00e1namo, they had Zubaydah designated a \u201cForever Prisoner\u201d and put him in Camp Seven, hidden from public view. Jones exposed the lie.<\/p>\n\n\n\n

At one point in The Report, a would-be whistleblower accosts Jones in a car park. The camera watches while Jones teeters on the edge of a nervous breakdown as he processes the horrors being described. As someone who has represented 88 Guant\u00e1namo detainees and heard them describe the barbarous things that were done to them in the name of defending America, this rings true.<\/p>\n\n\n\n

The suspected terrorists rounded up by the CIA in the early years of the \u2018war on terror,\u2019 many of whom were innocent men sold for bounties, were subjected to an array of tortures: they were waterboarded, slammed against walls, confined in coffin-sized boxes, threatened with dogs, guns and power drills, raped under the guise of \u2018rectal rehydration,\u2019 slashed with razor blades, blasted with deafening music and forced to stand with their arms shackled overhead until their shoulders dislocated. Most suffer PTSD as a result of the torture they endured. Having heard about it in graphic detail, so do I. It wouldn\u2019t surprise me if Jones does, too.<\/p>\n\n\n\n

The Report<\/i> tells the truth, but not the whole truth. It is not the fault of the film, for there is enough irony and trauma in the torture program for a ten-part series. One of my clients, Karachi taxi driver Ahmed Rabbani, was tortured in the Dark Prison for over 540 days \u2013 bizarrely, one of the redactions in the Executive Summary is the last number (\u201c54X\u201d), so Ahmed is not allowed to know whether he suffered for 540 or 549 days in total.<\/p>\n\n\n\n

He was assumed to be arch-terrorist Hassan Ghul, which he strenuously denied from day one. What he didn\u2019t know \u2013 and only discovered when he was permitted to read the sections of the report relating to his own torture – was that the CIA recognized their error on the second day of his ordeal. More horrifying still, Ghul was captured and brought to the same prison, but released after two days because he was \u201ccooperative\u201d – presumably he admitted who he was.<\/p>\n\n\n\n

In its dramatic depictions of torture, the film makes up in a very small way for an extraordinary omission in the Senate\u2019s work: the victims. The report is surely the first in-depth inquest into governmental wrongdoing where no effort was made to speak to those who suffered. Many were readily available in their cells in Guant\u00e1namo, held without charges for more than a decade.<\/p>\n\n\n\n

The story is not yet complete. Perhaps we can hope that The Report<\/i> will reinvigorate interest in this dark era of American history, and inspire us to publish the full truth.<\/p>\n","protected":false},"excerpt":{"rendered":"

This op-ed by Clive Stafford Smith was originally published in the New York Daily News, on November 15, 2019. Great drama sometimes takes place on an unexpected stage. So it is with The Report. How dry it must have felt to focus on Daniel J. Jones, the Senate staffer played by Adam Driver. Working for California … <\/a><\/p>\n","protected":false},"author":48,"featured_media":14177,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[14],"tags":[],"class_list":["post-14173","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-update"],"acf":[],"yoast_head":"\nHollywood reckons with CIA torture<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/reprieve.org\/uk\/2019\/11\/15\/the-wrenching-vital-truth-behind-the-report\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Hollywood reckons with CIA torture\" \/>\n<meta property=\"og:description\" content=\"This op-ed by Clive Stafford Smith was originally published in the New York Daily News, on November 15, 2019. 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